PHO705: Week 17 Reflection

Guest Lecture

This week saw another Guest Lecture take place this time with Paul Clements Photojournalist.

GCC – Module Leader

There was also a Group Guest Critique GCC with the Module Leader and for some reason, probably to do with timing and project evolution the meeting was very much appreciated. A welcome relief.

I was able to announce the intended exhibition visit of a Contemporary Photographic Editor who I am pleased to have volunteered to take a new job with that is waiting until June. This is as a proofreader for a Contemporary Photography Journal. My earlier offer of managing a related ISSUU electronic magazine was something the photographic group couldn’t wait 8 months for and one of my colleagues from a group photographic project took it on. What this says is that the chosen attendee is someone I’d hope to work with.

The course remains the top priority above all else other than the mortal deeds and close relationships. The reason for reflecting on this is to demonstrate to anyone thinking of doing a course such as the Falmouth MA Photography that even at 10-hour study plus 10 hours photographic practice per week, it requires a high level of commitment. My admiration goes to those able to deliver at this level such as is likely of the really talented artist of whom there are many examples on our course. For me, I hail from STEM education and associated career and often worked from a blank sheet of paper through to architected solutions and adapt my experience to the MA.

Making

During the week attention turned to the facsimile / portable exhibition and a small sense of pride resulted from taking printable cardboard and making a dummy box. Printing the guides at A4 resulted in a miniature of only 2’x3′

Pencil marked dummy

An estimated card stock size of between A3 and A2 would be required. The 2″x3″ dimensions are only external for the pictured dummy box. The final box needs to be double the size to accommodate side-by-side mounted miniatures.

Size didn’t matter for the dummy as the intent was to work out the printed surfaces, the orientation of the print surfaces, the glue points and the folding sequence. An overall feel for how sturdy the box would be for the given card stock was also confirmed.

There is the other matter of now the box construction is would be feasible, how is it to be decorated? The theme of own DNA or historic archive? Design decisions need to be made.

Recombinant Rhymes

Recombinant Rhymes was an ArtSci feature on the radio that I’ve adapted to my project to aid context building.

A revisit was made to the literary element of adding contextualising text, specifically a list of dictionary entries for words that contain the base pair letters A, C, G and T.

Perhaps there is scope for extending individual words by concordance perhaps using SketchEngine (SketchEngine, 2020) to expand the text.

On the one hand, this can be categorised as being overly smart which detracts from communication but then again it does allow context to be built and we (I certainly do) know how important context building can be to a visual project especially in the surreal abstract.

Video (and Music)

Music was composed for a Ghost theme feature after a visit to a store that demonstrated the GarageBand music composition software.

A further video has been storyboarded as a follow on to a successful showing at the Summer Exhibition.

Bibliography

SketchEngine (2020) Sketch Engine. Available at: https://app.sketchengine.eu.

PHO705: Group Critique with Module Leader

While the focus of late has been on writing the Critical Review of Practice and on ‘plussing’ the visuals, this post relates to a switch back to the public presentation of the work.

Switching tasks like this may be less efficient than running each task to completion. Professional development of photographic work might call on multiple resources, but here for the MA Photography, the author becomes or has become the sole resource for all of the work.

Collaboration practised as a professional specialism has yet to flow into the making process, so it has become quite a busy time. Considering research turned to image-making only a month ago then a lot of ground has been covered.

The making in the digital darkroom had been akin to the process of creating a painting. Now with the change of methodology and processing, the mental task of visualising and the way time is consumed is closer to photographic sculpture.

A National Portrait Gallery Friday evening drawing session attended last year, was conducted with white pencil on black paper, the process of observation and drawing likened to making sculpture.

Guest Group Critique

In presenting the work it was noted how exciting the development of the project has become and how this easily extends the work beyond the time available to us on this MA Photography course. With practice development, the project is likely to undergo further extension and presentation beyond May 2020. It is very exciting at this stage

A minor comment was the all-important selection of the sans serif Granville light font for use in the book and in the PDFs – the Critical Review of Practice assignment PDF and the book PDF hand-in.

As for the work shown in the critique an original InDesign file was shown having evolved through a one to one session, to the recent book designer session, to the subsequent splitting out of themes into individual files and finally and importantly the addition of more new work.

The project had all along used but now re-presented as having a trace of author’s DNA both as glow and as a graphic sequence.

There was a call to make a model in order to experiment with the layout of images. This would be more of a demonstration or proof exercise. In practice, the author has ongoing access to the studio/exhibition space and so does not require the intermediate step of modelling layouts. In an earlier module, a summer exhibition was held in the same space over a period of 8 days, it will be four days this time.

What is different this time is that access has been gained to the material for constructing exhibition walls from a stand kit. In a one, to one review the author was advised to set this aside, for an unexplained reason. It would be easy advice to take as it makes life easier. It is felt that there was a misunderstanding in communication via the online medium used.

Style, Paper and Framing

The critique was missing much in the way of content as the reviewer needed to see actual prints in front of them. The previous comment was of the look of charcoal on antique paper and was an accurate description of the aesthetic. This is produced both as an adjusted filter and is reproduced as a homemade PS action.

The vignetted borders were said to act against normal framing methods and would require consideration.

A test print was made a little while ago, was on matte paper and set out on the surface of the stock off white mount board used in the Summer exhibition. It all went together well.

There was a call to make a pile of prints as the quality can be more readily viewed and prints allow the order and sequencing to be done. This is an imminent action.

The project is the same one from the start of the course and has recently taken on more of the surreal. As image making began little more than one month ago the thrust has been towards image-making to gain images in sufficient numbers, higher than in the past with quality and with enough spares to support an 18 image exhibition and a book.

Recombinant Rhymes

From recombinant DNA and an artsci process of creating poetry. A decision was made to discover all or as many dictionary words as possible containing base pair letters A, C, G and T together. In order to form two or three-word crossword sections, words were gathered into themes.

There are sufficient range and sophistication of meanings linked to the work as photographic, biological and socio-political. The book would be expanded with facing blank pages set to contain word pairs or triples. No rhymes are intended.

Word Cloud

A simpler approach is the word cloud.

A variation might be to take advantage of scale in order to emphasise selected words. Chosen words correspond with a facing image. The method can be used with my DNA results in two cases; autosomal and mtDNA

Author’s Autosomal DNA and error rate

The Autosomal DNA chromosomes 1-22 are over 99% identical to all other human beings. Above are the mismatch errors in a 600,000 sample from 1.3 trillion base pairs in each DNA strand.

Author’s mtDNA

Mitochondrial DNA (mtDNA) samples for the author scaled by position in the DNA chain. mtDNA exists within the female line, is passed on to offspring female and male offspring and is very very stable. By remaining constant for thousands of years it easily spans the century of ancestors to whom the author identifies with. The Past Present.

Vision 2020

The forthcoming Vision 2020 Symposium and gathering at Falmouth University would have been a great opportunity to unveil the prints. However, the finite risk from the current virus spread and attending an international conference, combined with having caught a virus three times last year, making attendance undesirable.

Campaign

A social media campaign is planned and the first post made on social media using Instagram account foto_graphical. An Easter exhibition has been announced with the title: Past-Present.

Strands are coming together in consistent form.

Practitioner Comment

The advice given to another student was not to go overboard in obtaining practitioner input. A note I’d sent in earlier indicated that one remote critique was booked in, while a contemporary journal editor had responded as a potential attendee. A multi-genre, multi-award-winning professional had also volunteered to comment. Three others are on the back burner, so perhaps this is what was meant as going overboard – two of the three are recognised, art photographers.

PHO705: Fonts

Supporting Discussion

The choice of font for FMP submission remains firm as Granville Light. A return to inspect the style after a cooling-off period only confirms this. The use of a Typography Insight App allowed a detailed comparison with a standard sans serif font. The Granville Light style is very much being enjoyed.

Original Post

Time has been spent researching san serif fonts for the FMP assignments and two fonts have shortlisted and have been installed and are being trialled:

  • Granville
  • Auster

Both fonts are very clear and Granville is being preferred on several counts including style which is more apparent on the lower case letters f and t, but also for being from a French designer at a Paris foundry given the project theme of loss in the Great War. The slight dagger-like flourishes in the lowercase letters f and t, also act as a metaphor for me as references to the Dirk and the Sgian Dubh, sheathed pointed daggers carried in Scottish national dress.

I won’t install the Granville font in this blog but provide a PDF example here:

PHO705-Fonts

Looking at this example a reservation emerges to do with font width, even as something that makes it more readable. Is it too wide? The answer becomes clear when the font is viewed at the required 1.5 line spacing where indeed it looks fresh and clean as seen in th ePDF above.

PHO705: Group Guest Critique 10 Dec 2019

Theme sets

Themes occur in several sets subdivided. First, are the now consistent outputs of the work, and second, the themes of visual narrative explored and third the set of the subject matter placed before the camera.

In turn, we have:

Out of abstraction, the theme set subdivided into

  • place as landscape/seascape/mountains of heritage and theatre of war;
  • ghosts ever more recurring;
  • depictions of inner/outer space.

Out of the physical and psychoanalytical, the theme sets are around language/communication and intent:

  • science mitochondrial DNA,
  • war,
  • the phenomenological – the weird/eerie/uncanny

Examples of the above can be found in this portfolio:

Portfolio by Michael Turner

There is the theme set of the subject and photography:

  • healing wounds,
  • museum (military and medicine),
  • family archive,
  • video (gaming and broadcast)
  • Generative art.

Examples of some of the above are also in this portfolio.

Portfolio by Michael Turner

In retrospect, this presents the analytical. To think in deconstructivist terms as in Derrida, it would make sense to home in on that which conveys the main feelings. There again Art Science (Artsci) as described by Arthur Millar brings scientific method back into scope. The latter demands more resolution by the artist. Millar points to the history of the avant-garde. The art world and gallery system had rejected impressionism and the likes of Picasso as surrealist. Artists then built alliances later their work being more established it became more widely accepted. Millar might argue the case for art-science as the new avant-garde.

In the case of accepting Millar, then the project proceeds as

Family Constellations

Family Constellations have allowed freedom from entanglement with ancestors and their narratives of loss in a war.

FMP Experimental

View the following as experimental imagery that is work in progress. This is not the end product of publishable standard at this early point.

PHO705: Week 9 Reflection

Bases and Ghost by Michael Turner

Position and Intent

The work is intended to be positioned within Modernism PHO705: Modernism. As abstract it may fit into the Art-Science avant-garde as a branch of Modernism.

The implementation is still open at an early stage. Developments in one direction are towards overlapping archive ancestry images of motherline and mtDNA glow images.

Motherline – Glow by Michael Turner

This is in the direction of Susan Hiller Aura and Falmouth painter Jake Wood Evans. PHO705: Artist Jake Wood Evans

To go ahead, work needs to be resolved. As these firm, vestiges are present in other approaches.

War imagery, either from Museum exhibits or from video archives footage. There is the style of Natalia Goncherova with angels and flying machines compressed into the frame in a very claustrophobic way (as in her lithographs).

Science, as molecular biology, animation and Generative Art.

Further influences begin with Albert Steiglitz and images similar to cloud formations. This is closest to my type of work of any of the above approaches.

by Steiglitz

There persists influence from Picasso, in breaking bounds then Rachel Howard in terms of the hidden brush of gravity abstract style.

Thoughts about Resolution

More wayward approaches need to be set aside where project intent risks being diluted i.e avoid any negative impact.

The strong influence going into the Final Major Project FMP has been to resolve the visual language to make the abstract accessible to the viewer. This was achieved in a summer exhibition although the martial narrative need not be enforced was a consideration.

Having just stated that though, the war theme is necessary otherwise we lose the linkage and orphan the themes of place foreign and theme of ghosts recurrent.

PHO705: Module Leader Group Critique

The Forth cohort attended a group critique, our first. 

So to take forward something of the way of telling a story by a compositional layout of three parts or by layering an archive portrait with a glow picture. What feedback would the Module Leader and the audience give? 

The PDF attached can be downloaded. It contains two frames, one for each method of interest.

Group-Leader-Critique

This file displays correctly as two pages: View – Page Display – Two Page View for side by side comparison and to show a two-page spread. 

Making a PDF was practice for the 1 May hand-in but at a small scale. 

The intention is to obtain a PDF with the best resolution images saved as an Interactive PDF format. InDesign frames also ensured even sizing of the pages which of different dimensions from Word and Photoshop were made consistent.

(TBD Here is the work of the previous module:)

#Advice

Here is the update promised following today’s critique. The idea is to obtain greater clarity and something actionable. 

We learned from each other’s presentations as much as our own. Five presentations were made:

  • Skye rushes
  • Balloon metaphor
  • Mitochondria 
  • Book diptychs
  • Urban regeneration

Reaction to presentation – mitochondria

Preparation for the presentation was done well in advance and meantime it may have answered its questions on the layout options.

There were no audience comments. Module Leader comment went beyond layout, drawing attention to the importance of mitochondria as a theme. Agreed this is the foundation and deserves elevating.

The work could be helped along by adding a family tree. Privacy issues prevent this. However, a generic chart is something I would entertain.

David Fathi did some work concerning the impact on moral actions of using a genetic sample for modelling disease.

The family mitochondria theme does have a historical element as that is what stirs a feeling of identification with family. It is more of a driver or motivator than the actual purpose of the work which is forward-looking in terms of light reemerging as a means of detecting disease. It may be infeasible in the time to go too far with this science as the interest is really in creating art. The art is from the digital sensor capturing glow in a way the eye tends to ignore which given a style of processing can emphasise the hidden.

General learning points

The advice given related to the current point we are at on the course. Our work needs to be research-driven. So back to the books.

Also, no work is ever complete until we present it to the public as the audience. It is then we start to gain feedback.

Practical learning point

The student from the group, three months ahead of us was very informative in terms of their planning. They have already had their exhibition with six weeks to the end of their studies. They had 30 images and proposed editing them down to 20 for their portfolio but add in more for a book. They received interest in their work, and a videographer had even filmed their work.