This week saw another Guest Lecture take place this time with Paul Clements Photojournalist.
GCC – Module Leader
There was also a Group Guest Critique GCC with the Module Leader and for some reason, probably to do with timing and project evolution the meeting was very much appreciated. A welcome relief.
I was able to announce the intended exhibition visit of a Contemporary Photographic Editor who I am pleased to have volunteered to take a new job with that is waiting until June. This is as a proofreader for a Contemporary Photography Journal. My earlier offer of managing a related ISSUU electronic magazine was something the photographic group couldn’t wait 8 months for and one of my colleagues from a group photographic project took it on. What this says is that the chosen attendee is someone I’d hope to work with.
The course remains the top priority above all else other than the mortal deeds and close relationships. The reason for reflecting on this is to demonstrate to anyone thinking of doing a course such as the Falmouth MA Photography that even at 10-hour study plus 10 hours photographic practice per week, it requires a high level of commitment. My admiration goes to those able to deliver at this level such as is likely of the really talented artist of whom there are many examples on our course. For me, I hail from STEM education and associated career and often worked from a blank sheet of paper through to architected solutions and adapt my experience to the MA.
During the week attention turned to the facsimile / portable exhibition and a small sense of pride resulted from taking printable cardboard and making a dummy box. Printing the guides at A4 resulted in a miniature of only 2’x3′
An estimated card stock size of between A3 and A2 would be required. The 2″x3″ dimensions are only external for the pictured dummy box. The final box needs to be double the size to accommodate side-by-side mounted miniatures.
Size didn’t matter for the dummy as the intent was to work out the printed surfaces, the orientation of the print surfaces, the glue points and the folding sequence. An overall feel for how sturdy the box would be for the given card stock was also confirmed.
There is the other matter of now the box construction is would be feasible, how is it to be decorated? The theme of own DNA or historic archive? Design decisions need to be made.
Recombinant Rhymes was an ArtSci feature on the radio that I’ve adapted to my project to aid context building.
A revisit was made to the literary element of adding contextualising text, specifically a list of dictionary entries for words that contain the base pair letters A, C, G and T.
Perhaps there is scope for extending individual words by concordance perhaps using SketchEngine (SketchEngine, 2020) to expand the text.
On the one hand, this can be categorised as being overly smart which detracts from communication but then again it does allow context to be built and we (I certainly do) know how important context building can be to a visual project especially in the surreal abstract.
Video (and Music)
Music was composed for a Ghost theme feature after a visit to a store that demonstrated the GarageBand music composition software.
A further video has been storyboarded as a follow on to a successful showing at the Summer Exhibition.
SketchEngine (2020) Sketch Engine. Available at: https://app.sketchengine.eu.