PHO705: Week 24 Reflection

Done. The work has been done. Everything was handed in well in advance or in advance.

It proved important to leave enough time for checking as the inevitable was ready to happen – the screen freeze and colour printing going all wrong with an unexpectedly deep dive into ColorSync print technology.

Restart work on the Exhibition items put on ice

The video refresh, the music, the exhibition in a box were all in work but lost out as publication turned to book when the exhibition was postponed. Now there is time to prepare for a new date.

I’ll continue to check this blog for any mistakes. I know there a few.

Reflection

At the current point, much has been taken from the course. Starting with a new passion for bookbinding. Things there are going wild with three more hand bindings lined up.

Practice in using media tools with a vengeance was a highlight too.

Fulfilling the objective of making a portfolio of publishable work was the aim at the outset and how that has been helped along.

Making pictures as Art based on cutting edge Science ArtSci became a revelation in the area of genetics This genre is ripe for new picture making.

PHO705: Assignment Final Major Project (PDF)

Submit Assignment here

Depending on the nature of your practice, your resolved project may take one of a variety of forms, however, and it will be an original, authored piece of creative practice, of a publishable standard. It will have been developed over the FMP module and will extend from or otherwise draw upon work created throughout the course.

The FMP submission will evidence and document your critically informed project that is resolved to a professional and publishable standard.

The form that your project takes will depend on the nature of your practice and should reflect your creative intent. It should be resolved as appropriate to the work itself and with considered purpose. As the consideration of audiences and markets are key concerns throughout the course, you are strongly encouraged to present it to an appropriate public audience.

This may include, but not be limited to:

  • An installation
  • Solo or group exhibition;
  • Editorial feature;
  • Book;
  • Online project;
  • Workshop;
  • Performance, screening or talk;
  • Symposium or conference presentation.

These artefacts and/or activities should be clearly evidenced in your FMP submission.

The document should include:

  • A concise description of the work,
  • The final images of the project or an edit thereof,
  • Documentation of the publication (e.g. installation shots, tear sheets),
  • Critical feedback or analysis from other professionals (if applicable),
  • URLs to relevant video or other supporting material.

You may wish to remind yourself on guidance for documenting your FMP submission.

Format

It should be:

  • A colour, page-numbered, PDF document
  • Text should be 1.5 line spaced and use a 12 point, sans serif font
  • Fully Harvard referenced throughout, where applicable
  • All images should be fully titled and referenced
  • No more than 15MB

Assessment

The Final Major Project accounts for 60% of the final grade for the FMP module. It will be assessed on the following Learning Outcomes:

LO1: Technical and Visual Skills

Demonstrate an awareness of a range of photographic and image-making processes, and display accomplishment of photographic skills relevant to your practice specialism.

LO2: Visual Communication and Decision-Making

Exercise discernment in the making, resolution and presentation of practical work, and an ability to communicate ideas through creative visual strategies.

LO3     Critical Contextualization of Practice

Apply a critical awareness of the diversity of contemporary photographic practice to the development of your own work, and inform your practice through historical, philosophical, ethical and economic contextualization.