The Helter Skelter that is Making (of late)
The research period moved into the making phase within the digital darkroom.
Many up and downswings have been encountered in the making, from renewed optimism to unexpected problems arising that needed to be resolved.
More structured recording of image statuses has now been established on Evernote as a wider body of work has emerged, none of which is entirely satisfactory at present.
Direction around abstract outcomes such as landscapes for some images fell foul of image banding as well as encountering more editing suite false images on the screen versus print.
Being guarded and mindful of this resulted in changes. A solar checking layer is used to detect banding where it might not be immediately visible to the eye followed by a step by step expansion method and 100% viewing (or do and undo merge layers).
And so too, subject matter bias changed in moving to the biology theme with the development of skill in making cellular images alongside associated graphic elements. Maybe too this was an avoidance strategy as avoidance of quality issues which and it led to switching the major theme to and fro ghost/landscape/biology
The methodology has changed through this as methodology currently biases towards forms as Surrealist imagery.
Another branch in the period in between these stages meant conducting a series of trials of merging stills dropped out of newsreel video. That presents challenges with the mixed resolution, edge problems and differential lighting when integrating. Time out was taken to practice overcoming these challenges but as a major wartime theme production has stopped for now. The problems can be tackled with more confidence having gained more practice on different methods. Whether to return to this or not is the question. There are probably too many themes for a book or exhibition and so something has to go. If the biology theme of cellular imagery went ahead then maybe too many similar images result. There is no obvious solution at this stage and so work continues with the numerous themes,
Reading the course requirement for quality scanning and professional making at this level on top of evidencing this does lead towards a situation of panic in these matters.
Thinking through the image merging the experience from the Summer exhibition weighed. Separate archives (of the author in this case) and abstract expressionistic images led to triptych layouts that worked in exhibition but not as a book (the weight of paper in a signature with not enough strength in the stitching. Signatures are complicated, always looking wrong at the earlier printing stage but turn out right, where triptych became unmanageable in the handling and ended up being complex or not practicable as a dummy.
Critical Research Journal 