Early mention was made of this guest lecture in a 121 session blogged here.
David is a scientist breaking free into a world in which he makes art.
As always an important element of these resources is to identify with practice in the Final photo project.
David summarised three projects using these bullets which served as a useful summary:
Project summary – David Fathi
David’s art allows him to take up his interest in the areas of knowledge, politics and science.
Three works are presented: Of these the first two projects, Anecdotal and Wolfgang are books. The next project, The Last Road …” moved on to become an installation.
- Book: Anecdotal … nuclear bomb testing on own lands e.g US Nevada
- Book: Wolfgang … Pauli Quantum physics, anecdotes of things going wrong, CERN archive
- Installation: The Last Road .. Henrietta Lacks archive HeLa cells
In presenting Wolfgang in different contexts, David began to explore the installation as a way of publicly showing “The Last Road …”.
David felt he could have continued on in the vein he started (in some respects poking fun) but he was driven to do more serious work. Whilst earlier did poke fun it was also factual.
The work relating to Henretta Lacks, controlled the viewer experience as the installation layout meant the viewer walked between Dark landscapes with Hela cells opposite Intimidating text. A video played at the exit end in this liminal space. The video comprised film stills with an audio track that played louder closer up.
The migration to installations fell out from presenting Wolfgang creatively in numerous settings. Don’t let the form of archives seduce you. It is a danger. Maintain control. Control also by viewer walking between Dark landscape/Hela cells opposite Intimidating text. Video at the end shows film stills. The music gets louder with proximity.
Examples of stills given included the Film Godzilla as metaphor for the atomic bomb.
The talk highlighted ideas of balanced pairs:
- mortality – immortality
- personal – political
- science – art
Some take-away advice was “Don’t let the form of archives seduce you. It is a danger. Maintain control of your work”.
On the subject of abstraction, David quoted an observation by Stanley Kubrick:
Be self-aware of one’s art and the impact it may have. Stay true to one’s intent.
It is important to remain aware that work can transition from a book publication to an installation