Here is the link to the video for this case study.
This case study contextualises Gideon’s work which like Lixenburg’s is published over several platforms Exhibition, Film, Publication and Web once public interest had been established. Their work evolved over the longer timeframe.
This gives us the idea that our own work might gain traction and so we have been forewarned. There is also the reality of what we can achieve in 6 months and how we should involve others early to go public with more than one route.
There is quite a lot of useful advice on FMP production given by relating to Gideon Mendels project Djangal (jungle camp in Calais).
His work presented a problem of camp interns being offended by photographers. Instead Gideon decided like in an earlier project on flooding to gather the artefacts left over and rephotograph as well as create an installation.
He made several visits over a few months to do the photography which is consistent with our available time on our FMP.
This sets a standard for Falmouth FMP students, I imagine is the idea. In a sense, the previous module led us to practice and Landings 2019 organising experience also helped. In spite of having not known about this case study at the outset, it was stumbled upon, I was naturally set to propose several publication routes. Had I known of the Case studies in time, I could have watched them before making my proposal as it would have reinforced my ideas.
Interestingly Mendel settled on a floating style with objects photographed in the studio on black or white backgrounds. This is very similar to my newly developed approach in photographing Fauna here.
Photographs – Gideon Mendel from the Falmouth FMP video lecture