My reflections on Week 5.
This has been a week for consolidating and catching-up and a time to start looking forward too. After a poor start to FMP, there is a recovery and so a lot of activity of seven guest lectures. Three on the Photography Hub, four on the FMP Module.
Posts have been written on three photographers who were more fully researched:
- Susan Hiller – Auras;
- Evan Roth, Red Lines; and
- David Fathi (also listed in the FMP section below)
I caught up on three Photography Hub Guest Lectures
I watched the following when off-sick and haven’t written the blog posts yet.
In addition to the three Photography Hub guest lectures, four FMP lectures were studied.
This was a lot of lectures (seven) that were caught up. This took me away from preparing photographic work. There is more catch-up with, two more Photography Hub guest lectures to write-up (Forrest and Labas) and a forthcoming FMP research lecture featuring Caroline Molloy.
on post-processing from several shoots to catch up on. So a very hectic week ahead. It is just a case of maintaining this level of focus.
Our Supervisor published the scores for the Final Proposal and I rightly gained a low pass. My excuse is an illness that I’m now over and an unprecedented set of personal circumstances.
Applying for Extenuating Circumstances EC is something offered by the University but I didn’t entertain this. I didn’t anticipate the barrage of further circumstances about to unfold. I wasn’t able to plan and progress my proposal and did not have it reviewed prior to submission.
Overall, there were already too many other activities to catch-up on and EC would only have compounded.
Instead I scraped together a submission and got on with fixing my blog, began advance planning and substantially caught up on coursework and research.
Shoots and Post Processing
Thinking aloud. I’ve managed to keep shooting and even do some practice shooting as circumstances proved favourable. Practice shooting was with local Flora with new techniques I wished to hone before going farther afield, e.g. back to Scotland should this transpire as my method. As yet it is undecided. In a sense, it would be easy enough to arrange to do this, but the purpose and intent need to be clear and robust compared to other approaches I have on the go.
Post-processing, a key element in making a useable image, has only been lightly pursued. Why so? The obvious question of available time but also of needing to know more of the direction I want to take-up. Ideas are still being formed.
e-Zine and Bound Book
On the subject of an eZine, I need to communicate my interpretation of what this is about. My practice is such that when I begin a bookbinding task which of course is only a part of the book publication workflow, I have so far made an eZine using the online tool ISSUU. This is so I can maintain clarity by modeling the book. The vagaries of page imposition are such that the ordering looks completely wrong at every single stage until the printed signatures are assembled in sequence at which point the eZine version and the book-bound version match in page sequence. I’ve been accurate on this so far.
I researched imposition tools and my findings were around expense, software incompatibility and the distraction of learning a third-party application when a direct method in tools I already use would be about as good. There are always refinements to learn including dealing with page creep.
I did go out and find a print shop and talked to them about book production and would need to go back and sort out PDF image format etc.
Something I discovered from a recent announcement by a camera manufacturer is their flat spread binding offering. There is a special appeal for me in the two-page spread that is continuous across the join. If the claim is true it could work for me depending on what I decide to do. I should probably create a dummy to check this out.
There are several activities scheduled for next week, Week 6.
On Tuesday, I have my final proposal feedback – I said I’d analyze the marks (against the Learning Outcomes, LO3, LO4, LO5, LO6, LO7. These are searchable categories within this CRJ blog. I elaborate in the following blog post.
Colberg, J. (2017) Understanding Photo Books the Form and Content of the Photographic Book. Edited by Taylor and Francis. New York: Focal Press.